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im-the-punk-who · 4 years ago

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Hi! I’m new to the fandom and I’m simply curious (not trying to start a feud or anything), why don’t you like Steinberg?

Hello dear anon! And welcome to the fandom!

Oof. That’s a question. xD

I’m going to try and stay as uh. neutral as possible. Because I’ve already written the post I know I failed but, the intent in answering this is also not to start a feud or hurt anyone’s feelings.

Okay, so I got fairly negative in this chilis tonight, so I want to start by saying that even in light of the opinions I’m about to express, Black Sails is one of, if not my number one, favorite TV shows of all time. Certainly in recent memory - I’ve been hyperfixating on this show for 18 months with no sign of stopping, and I have a tremendous amount of respect for everyone who worked on the show - even Steinberg. (The one exclusion is Michael Bay, he can go twist.)

AND I think Stienberg is an incredibly talented writer. Black Sails is one of my favorite shows because it does such a wonderful job of weaving stories, creating characters, and melding things in a way that is both unexpected and makes sense narratively. I have changed as a person because of the show, and they will have to pry James McGraw and Thomas Hamilton from my cold dead knives-attached-to-them hands. None of what I’m going to say is meant to detract from that.

I will also say that a lot of these issues are not particular to Steinberg and are in fact a systemic problem with American TV + Film. And I’m not leaving Robert Levine out of my criticism, it’s just that Steinberg had the biggest hand in the pot(he wrote a full half the episodes) and a lot of what I’ve heard as far as talking about the show comes from Steinberg. So, he gets the brunt. But it isn’t that I think Steinberg was the only problematic element of the show.

Also, these are all my opinions and are colored by how I interact with my fandoms. I am not only a fandom veteran, but I work and pretty much live in the entertainment industry. I work in indie film and theatre and am surrounded by artists and creators of all walks of life, like, constantly. I know what is possible, and when I see something that can be improved, I want to note it because it is important to me to always be striving forward. Like Miranda says about Thomas, this isn’t out of malice, or out of hate. It’s because I genuinely love this show, and I love entertainment as a whole, and I think in order to get to a better, more inclusive industry we have to have hard conversations and look critically at the media we consume, and it is frustrating to me to time and again see the same faces in the room.

But if that isn’t your cuppa, that’s fine! Fandom isn’t meant to be stressful and if all you want to do is watch a show about gay pirates that is your tomato and I applaud you. Have at it you funky motherfucker.

OH! One more. At some point I’m going to talk about Silverflint. When I do, it is NOT meant as a ‘you shouldn’t/cant ship this’ or ‘this pairing is bad’ or any negative attack on the people who ship that pairing. My criticisms in this post are exclusively about what it means for Steinberg as a writer and Black Sails’ representation of gay and mlm men. While it’s not my cuppa, this is a sail your own ship blog.

OKAY! SO!

My main criticisms of Steinberg & Co boil down to:

The homozygosity of the writers and directors shows a complete lack of desire to include marginalized people in the writing of a show that is about them. Which leads to:

The centering of white men while choosing a historical setting and time period that was in fact dominated by people of color and specifically a black woman,

The gratuitous inclusion of violence against women, particularly sexual violence, and again, that the female characters are often sidelined for the central male characters.

SO.

Black Sails is a show centered around queer, female, and black leads, and yet there were only two non white-male directors (one bi-racial man and one white woman) and only 7 female writers - one of whom was Latina. The entire rest of the major creative staff was white men. I’m not going to comment on sexualities but none of the writers or directors are out as queer according to a quick google search.

Let me reiterate the important bit there.

In Black Sails, where the last two seasons specifically feature around a real, actually-happened-in-history event that shaped black history in the Caribbean, there was not a single black writer on the entire show.

This is the main difference between inclusion for inclusion’s sake, and actually centering marginalized voices. Black Sails has a ton of gay, POC, and female rep in front of the camera but practically zero representation behind it, which leads to storylines and implications that Steinberg and his writers, as white men, simply would never realize.

It’s like why Silver and Miranda never realized the true reasons James was waging war on England. They just did not have the life experiences to realize they were missing a piece of the puzzle, and so they filled in their own without even realizing they’d done so.

Because no one in the room of Black Sails was a part of these marginalized identities, nuances get lost or mistranslated, motivations get muddled through a white man’s gaze(or a straight person’s) and implications that someone within those communities might think is obvious won’t even come up.

And again, because there were no writers or directors of color in the last two seasons (the biracial man directed episodes 2x02 and 2x04 - WHICH MAKES SENSE IMO) the entirety of the historical lore that the show bases itself on in its latter half is filtered through a white man’s lens. And so there is no discussion of how changing something changes the meaning, how leaving someone out or changing their role to be more minor might affect people for whom that is their heritage. How the entire story they’re telling might change with one simple exclusion or addition.

So, how does this relate directly to Steinberg, you ask? Well, simply, because it was his show.

Steinberg(and Levine) were involved in every major decision about the show, from its conception, to the script, to choosing the writers and directors. They chose how they wanted the show to look, to think, what stories to tell and how they wanted to tell them. Their decisions(and the biases that formed those decisions) are woven into the show.

And look. I don’t for a second believe any of this was willful or malicious. I don’t think that John Steinberg and Robert Levine sat down one day and said ‘you know what would make the gays really angry? If we locked the only two canonically gay men up in a prison camp.’

But the decisions that were made in the show were based in ignorance in a way that shows more than just simple negligence or laziness(especially given the attention to detail in everything else). The things they leave out or change in the Maroon War plotline for instance are not small details easily missed. They are big, giant waving flags. They are things that are irreplaceable to still have the same events and stories and tell them respectfully.

It shows an insane amount of privilege to, for instance, write a show airing during a time when the Black Lives Matter movement was at the forefront of the American conscience, include black characters and black storylines, and yet not include a single black voice on their creative team.

In a show that centers a gay man’s love and his journey in attempting to process the horrible things done to him and his lover because of it, we are given just forty minutes of the entire show dedicated to their relationship - and just fifteen of those minutes actually feature the lover!

(Relatedly, the entirety of the gay romantic rep is two kisses, and a forehead touch. That’s the entirety of your gay intimacy representation. And yet there are in the first two seasons alone - because that’s all I’ve clocked so far - something like twenty seven minutes of scenes involving a naked or half naked woman. Five minutes of that is explicitly wlw sex.

Again, I just want to reiterate this because it’s important in recognizing bias.

There is fully twice as much female nudity in the first two seasons, as the entirety of the time the two gay characters have together on screen. )

Steinberg is a perfect example of how a lack of understanding why the diversity you are representing is important, matters. I dislike Steinberg because he, just like every other straight white cis man I have known, profited off of marginalized voices without including them or creating with them in mind.

Art does not exist in a vacuum. You cannot create something - especially something as back breakingly, intensely a labor of love as Black Sails - without putting several pieces of yourself into it. But those pieces color your narrative. They will expose things about you that you don’t even realize. And it’s in these places we are weakest, and why a diverse group of writers with a diverse group of experiences can help a piece be stronger. But for whatever reason, John Steinberg thought that he could make art with only people who looked and thought and experienced like him.

The lack of representation behind the camera in Black Sails was evident in front of it and yet Steinberg is out here getting to pretend like he created the most inclusive groundbreaking show that ever existed. It is important to me, personally, to acknowledge that. And that it kind of makes my skin crawl in the way all media made by straight white (cis)men makes my skin crawl. I wish I didn’t have to feel that way about my favorite tv show just because it was created by a man of privilege, but here we are.

SO. I hope that helped? Feel free to take what you want and leave what you don’t!

Below the cut is a more in depth look at things that I think show what I’m talking about, but that up there ^^ is the gist. <3 |D

SURPRISE!

The Maroons and the Maroon War

So the first thing I want to point out is that the Maroon War was a real thing that happened. It lasted ten years, and resulted in the most substantial victory the Maroons ever achieved against the British. Not only that, there was in fact a KICKIN’ badass female leader of the maroons named Queen Nanny, who is to this day honored as a national hero in Jamaica. While they weren’t able to drive the British out, the outcome of this war led to a mostly self-governing Maroon population in Jamaica from the mid 1700s on. This was a long term fight that had a very tangible and real outcome, even if it didn’t end in the destruction of colonialism.

And what is this war turned into in Black Sails? A white ‘madman’s revenge’ that is doomed to failure after six months.

That, my dear pirates, is a problem for me. (And those familiar with my brand of spiceyness know that I do not ascribe to the ‘Flint is a Madman’ trope, but that IS what Steinberg ascribes to, what he seems to have written the show thinking.)

There was no narrative reason to include the Maroon War in the narrative of Black Sails. The Maroon War didn’t happen until a decade after the Golden Age of Piracy, and aside from Silver’s wife being a black woman there is no mention of Silver ever having contact with them. To me, this feels like the choice of a showrunner who found a cool historical event and saw a chance to up the stakes of their white male heroes while getting in some sweet sweet POC rep.

Except that they then took the major events of the Maroon War and gave them to their white characters, Flint and Silver.

Here’s the thing. If you’re going to take a piece of culturally important history and use it for your show, you NEED to have sensitivity writers. You need to have people who are at least familiar with those events and who care about them to do them justice. Have an expert come in and read your script or go over your ideas. Or just like. Hire a black writer. Hire ONE black writer. As a treat.

The important Maroon figures, Nanny, Cudjoe, and Quao, all get sidelined or ‘sexified’ and then used as plot points for the white characters. Nanny gets split into two women - the older mother queen and Madi, the young naive warbent visionary. Quao(Mr. Scott is the closest, or Kofi possibly) gets killed off because the writers realized they didn’t exactly have a place for him in their writing. Cudjoe(Julius) gets a few scenes and one good speech but his entire role in the war gets given to Silver. And THEN. That sexy Queen Madi figure gets used as emotional bait for Silver and then has to learn he has betrayed her and destroyed the hope and freedom she had wanted to bring to her people.

Gross, pirates. Gross.

Anne Bonny/Max/Mary Read - a heads up, this section includes a semi in-depth discussion of both Max and Anne’s sexual assaults. If that bothers you, the paragraphs talking about that begin with a ***

COOL NOW LET’S TALK ABOUT LESBIANS. Words my 20 year old self would never have imagined coming out of my mouth.

Specifically, I want to talk about Max, and Anne, and their backstories both involving extreme sexual trauma at the hands of men. And then Mary Read and the once again sexification of female characters.

(Actually while I’m here another criticism I have of Steinberg is that his writing does not seem to recognize how queer people existed in the past - again, likely because he didn’t have any gay historians to be like ‘actually buddy that doesn’t make sense also why is Anne not dressing as a man? If you want to fuck with anything and insert modern day terminology and ideas into this show, make her non binary and REALLY piss off the hetties.’)

(This same ficitonal gay dramaturg who is definitely not me has also questioned John Steinberg repeatedly about where Mary Read is, unsatisfied with the answer ‘well we wanted her to be hot so we made her a sex worker and then had Anne have to rescue her but then we realized it would be weird not to include her actual character so we gave her a five second cameo at the very end of the series and also made her like 13.’)

Anyway! So my main point in bringing up Anne and Max is the sexual trauma they are exposed to in the show, particularly being that they are the two primary wlw in the show, who Steinberg has said he views as being completely gay, and what THAT whole unexamined idea looks like.

***Max. My dear Max. There was literally no reason to have her be repeatedly r*ped(and for the love of god there was even less reason to make it that gratuitous and graphic). Max being assaulted like that did not add anything to the gravity of Eleanor’s betrayal. The traumatic event was being tossed aside by Eleanor, and that could have been just as emotionally damaging without the sexual assault. And the only reason for her to be continually assaulted was to bring her and Anne together.

***The reason imo that Max’s r*pe plot was added was because it was the only thing these white straight men could come up with that felt emotionally damaging enough to them. The act of betrayal itself wasn’t enough, the act of being thrown away, of having a lover put your life in danger because of her own ambitions wasn’t enough, they needed her to be r*ped to really drive home the point.

***Anne, on the other hand, is never shown being sexually abused, but we are given an explicit account of her own traumatic history and how Jack saved her from this vile beast who was passing her around to his friends.

But here’s the thing pirates - that never happened. According to every account we have of Anne Bonny, she chose her husband, and married him against her father’s wishes. They were probably relatively happy until her husband started being a pirate spy and Anne started cheating on him with Jack.

And yes, when they were found out. Her husband had her beat. That’s not fucking cool, and if they really wanted to go the damsel in distress route they still could have had Jack ‘save’ her from that. But at no point was she sexually abused by her husband(at least not in any accounts I’ve read.)

You know who did likely sexually abuse her or at least manipulate her and Mary for his own benefit? If you guessed our Rat man Jack Rackham, you would be correct, because when he found out about Mary and Anne’s (supposed, but probably real) relationship, it’s implied he extorted both of them into fucking him to keep their secret from the crew.

The addition of sexual abuse to Anne’s past isn’t done to be true to her character and was in fact explicitly untrue. Now of course I don’t know the reasons why they chose to do this, but I can guess. Just as with Max, the most traumatic thing a male writer can think of for a female character is for them to be sexually abused.

And the most disturbing part of this to me? The parallels it has to the real world of why straight men think lesbians exist. These characters who would be called man haters in present day are given these incredibly traumatic man-centered histories. It brings up something very uncomfortable in me about particularly wlw sexuality being viewed as a reaction to trauma at the hands of men. It’s just gross, I dont like it, and honestly there is no fucking excuse for it besides a room full of white straight men writing this bullshit. A room that Steinberg chose, because they fit his ideas.

In Fact heck, the women of Black Sails in general

***I honestly struggle to think of a single female character who I think was treated fairly in Black Sails. Miranda and Eleanor are killed for taking sides and not understanding their partners, Madi is betrayed in the worst way possible, Max is given a pseudo empowering ending but has that fucking terrible start. Idelle ends off fairly well, but tied to a man she may or may not have any actual feelings for, in what is essentially a political marriage. And Anne has her entire identity tied to a man who will be dead in two years as she is robbed of any agency whatsoever without him. (Oh, and the whole r*pe thing. And also her support for Max’s r*pe or death until she started having fee-fees. Who wrote this stuff. >_>)

Even though the characterization of each and every one of these women is PHENOMENAL - and again I will repeat that I absolutely LOVE these characters as they exist in a vacuum. I think they are well rounded, real, feeling people given motivations and drives and FEELINGS and they SHOW THEIR ANGER and i LOVE THEM.

But the show punishes them for it. Miranda is essentially fridged to move Flint’s storyline along, and to make room for Silver. Eleanor is killed for the emotional damage it will cause Rogers. Madi is placed at the center of a conflict she explicitly says she is willing to die for and then not only is her entire cause taken from her, but when she tells Silver to fuck off he - in possibly the most predictable white man move ever - says ‘no i will stay until you change your mind. I will never leave you. I don’t care about your choice in this matter, I will wait forever for you. I’m your biggest fan. I’ll follow you until you love me. papa, - paparazzi.’

And I touched on this before, but I want to talk in more detail about what is possibly my hottest take to date, the sexification of Mary Read and Queen Nanny, as they are presented in the show.

Max is to Anne what Mary Read is, historically. She is the lover that Jack Rackham discovers with Anne, and then he joins them in their bed. They form a triumvirate that upholds Jack at the expense of the women. But for some reason, Steinberg didn’t want to just include Mary Read as an actual character. For some reason he needed to make Anne’s love interest a sex worker who was in need of saving (and who, coincidentally, we never see working the brothel after she becomes lovers with Anne, because she is now a madam. :) Gross.)

And Madi. My dear sweet fucking Madi who didn’t fucking deserve any of this bullshit send tweet.

So, historically, Queen Nanny was the Queen, spiritual advisor, and the military tactician of the Windward Maroons. She would have filled both Madi and the Queen’s character roles(and Flint’s, but who’s counting. A BLACK GAY LEAD? Inconceivable. I digress.) But, I guess, because they were wishy-washing with Silver’s sexuality or felt they needed to give him a female love interest because of Treasure Island, or because they were leaning a bit too hard into the gay shit and needed to backpedal, they took Queen Nanny and split her into a character who is for all intents and purposes powerless in the war and Madi, who is young and naive and does not have any real world experience outside of the Maroon camp.

Because that’s sexy, or something. They could have had the Maroon Queen be a fucking badass lady who works and fights alongside Flint and Silver and one ups them and teaches them shit and has her own ideas about where the British can stick it, but instead they made her into the perfect caricature of a female monarch, letting the big strong men handle the dirty work or something. Because white male power fantasies.

Just let women be powerful and not nubile and let them have character arcs over fucking thirty and let them be CENTERED in their own. fucking. narratives.

God damnit Steinberg.

James Flint, mlm extraordinaire

Oh, my love. My most amazing child. The light of my life. My purest cinnamon roll.

~~And now we’ve come to the dreaded Silverflint criticism part of our programming. Please please know and remember this isn’t a criticism of people who ship Silverflint. As I said up top, Your Tomato Is Not My Tomato and that’s cool. Please don’t take this next part as an attack on Silverflint as a fandom ship.~~

My criticism of Steinberg as it relates to Flint is related to:

What a romantic/sexual relationship with Silver being the basis of the tension and plot means for Flint in particular as a gay or mostly mlm man.

Refusing to confirm Thomas and James being alive at the end and honestly the whole finale in general but like I’ll try and focus.

The major problem I have with Silver and Flint being coded as in love with each other is the implications there in terms of gay men’s relationships to other men.

From every corner, men are inundated with the idea that any close relationship between them must be gay. That intimacy cannot exist unless there are sexual feelings involved. That a relationship cannot be close, deep and soul shattering and life altering, unless one guy secretly(or not so secretly) wants to bone the other dude. That two men cannot value each other as partners or friends or truly know each other unless they are gay.

Seeing both of the meaningful relationships Flint forms with other men be sexually coded feels a bit the same way as Anne and Max’s sexual assault plotlines does vis-a-vis being wlw. (Even with Gates, Flint never spoke about Thomas or his plans - Silver is absolutely the closest person to Flint besides Thomas and Miranda.) And this is just as true for Silver. Having both Flint and Madi - the two people he trusts - both be people he’s in love with also just feels. I don’t know.

It feels like a confusion between male intimacy and male love that is so so familiar to me as a gay man I could choke on it. Where they wanted these men to have a deep and really lasting connection, but could only figure out how to do it if they were in love. Friendship wouldn’t have been enough - only romantic and sexual love is enough for the gay man(or men, at all).

Just because it isn’t queerbaiting doesn’t mean it’s good rep, and I would have liked to see truly deep male friendships that did not center on sexual attraction - particularly for Flint as a confirmed mlm(and Silver too, if you’re counting him. The same arguments for why I dislike Flint being paired with Silver are also true in the reverse.)

Even if both Flint and Silver were confirmed mlm I still would have LOVED to see a platonic relationship between them. In fact I would have loved that EVEN MORE. Men! Who fuck men! Not needing to fuck each other to be important to one another! Who made this. Very delicious.

But because there weren’t any queer writers on the show, writers who understand this kind of struggle that gay and mlm men face, they thought ‘oh, let’s also have them be in love with each other. More gay rep is better gay rep, right?’ False. THOUGHTFUL gay rep is better gay rep.

Okay and here’s my last thing. The fact that Steinberg refuses to say whether or not the explicitly mlm men are alive at the end of the show - that the words he specifically uses are ‘up for interpretation’ is. Fuck, it’s gross, okay? It’s fucking gross.

I have been around enough men, enough people in power, enough people with leverage who also know how to play the field, to know that when someone wants a group’s support but does not agree with them, their go to phrasing is that it is ‘up for debate’ or ‘up for interpretation.’

Say the gays are alive. Steinberg refusing to acknowledge the reality of the ending of his show to maintain his own sense of artistic integrity is what, honestly, really sets me off about him and I don’t care if this is a nuanced take.

Like yes, death of the author. I honestly don’t care if he thinks they’re dead or alive. What I care about is that he thinks he can get away with being clever and leaning hard into a story is true/untrue’ - doesn’t realize what the implications of that are, and didn’t when he was writing, and didn’t have anyone else in the room who would think about it either.

ANYWAY. So this is....my long drawn out explanation for why I do not like Steinberg. Uhhhhh tune in next week for more of my totally unpopular opinions!

#good....fucking lord #i am so sorry #how many opinions can milo fit in one post #i mean i have more but yknow lmao #black sails #behind the black sails #milos black sails meta #long posts #my increasingly devoted attempts to find tumblrs word limit #Anonymous #john steinberg #js critical but the js is jon steinberg

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thorniest-rose · 4 years ago

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Karate Kid/Cobra Kai survey

tagged by: @alienfuckeronmain @mochisquish @trillgutterbug & @ceruleangold (thank you for all the tags!!!!)

It’s the year 2021 and you’re obsessed with The Karate Kid. How are you feeling?: Ahhhh I feel great! I I didn’t realise just how much I’d get into Cobra Kai when @pohjanneito gently encouraged me to start watching it, but the weirdly heated dynamic between Johnny and Daniel hooked me so fast. The history, the obsession, the violent passion, it’s all there. Plus I’m drowning in various WIPs, so that’s when I know I’m in the midst of a hyperfixation because I write like a little machine and ignore everything else in my life. I’ve also managed to get friends into CK through my sheer intensity for it.

Did you grow up with TKK or are you new to the series?: NO! I never watched TKK when I was younger, I don’t think. I was big into fantasy and Disney as a little girl, and I didn’t really stray far from that. Though it’s a shame because I think I would have loved it if I had watched it. I would have fallen in love with Daniel and really rooted for him. I moved around a lot as a kid because of my dad’s job, so I think his loneliness and perpetual status as the new kid in town would have struck a deep chord with me.

We gotta do the basics. Favorite character: Ah this is so difficult because if we’re talking TKK then it’s Daniel but if we’re talking CK then it’s Johnny, a.k.a my trash god Apollo!! He’s the reason I got so into CK in the first place. I love how ridiculous he is, how behind the times, how damaged, how much he wants to be a better person. He’s really the heart of the show for me. I’ve said this before but I love that Johnny shows that you can start over at any time of your life. And yes he still stumbles, he still hurts people, he still makes mistakes, but he doesn’t stop trying. And the way he opens himself up to people after numbing himself for years is incredibly touching to watch.

Favorite ship: Lawrusso always and forever. I don’t even think I ship anyone else... Unless it’s Silverusso, which can be interesting and thorny when done right.

Underrated character: Bobby Brown ❤ I actually think there’s a lot of love for Bobby in the fandom, I just wish we had so much more of him. He’s sweet, loyal, strong, and doesn’t take any shit. He also isn’t as toxic as some of the other boys, and is genuinely sorry for hurting Daniel, so that shows he has a kind heart too. Plus I love that Johnny had a friend growing up who genuinely cared for him and looked out for him. All the CK boys are ride or die of course, but Bobby really earns his status as the best friend.

Underrated ship (don’t say therapy, lol): ermmm not a romantic ship, but I love the idea of Daniel and Ali being platonic soulmates... in my fic “ace of hearts” this is how I write their relationship, not actually as a romantic one, but as a strong platonic one where they understand each other and have a natural kinship. Platonic relationships can be just as strong as romantic ones, and that’s how I like to read into their dynamic.

Wax On, Wax Off or Sweep the Leg?: No idea, SORRY.

Which of Daniel’s dumb little outfits is your favorite?: Oh my goddd, this is so difficult because movie Daniel is such an accidental little fashionista at times. It probably has to be his first outfit in TKK (the blue jeans with the blue tank) because light blue looks so good against his skin tone. That OR the iconic blank tank with the shirt hanging off his shoulders, and the jeans and sandals. I love every outfit where he wears a tank top and shows off his slutty shoulders basically.

Character from the films you most want to return, who’s not Terry Silver: I CAN’T DO THIS BECAUSE TERRY *IS* THE ONE I WANT TO SEE. I can’t wait until he waltzes back in, all weirdly intense and handsome and white-haired, and immediately starts calling Daniel “Danny” like a stalkery ex, and Johnny goes mad with jealousy. End scene.

Scene that lives in your head rent-free: Wah so every scene with Johnny and Daniel in TKK, but it’s probably the beach scene where Johnny and Daniel get into their first altercation because it informs the highly intense, push-pull, obsessive relationship they have in CK. That, or the scene from the rehearsal film on youtube where Johnny says he torments Daniel and beats him up because he likes it. I mean, hello?? Nothing encapsulates his destructive fixation with Daniel more than this scene! I’m so mad this didn’t make it into the final film but I’m so glad we at least have it in this form!

Will Anthony LaRusso ever be relevant?: I actually had completely forgotten who this was until I googled it so I think that answers this DJDJD 🙈

You live in The Valley and are forced into the karate gang war. Which dojo do you join?: Oh god, it would have to be the Cobra Kai. I MEAN, it’s Johnny and I’d be in love with him so ddkdkd no contest!! I’d probably be far too soft for Cobra Kai and get shouted at a lot, but I’d get fully indoctrinated, to the point of making lots of cute merch, like crop tops with the CK logo on, and running all the social media accounts where I'd call the Topanga and Miyagi-do students big babies, and probably get into a ton of karate fights with other girls at the mall. Plus I’d probably think Daniel was a rich jerk and would hate him for looking down on Johnny haha.

What’s your training montage song?: Haha so it would probably have to be Gimme More by Britney Spears. I work out a lot to this song and it gets me so pumped!!!

It’s the crossover event of the century! Which TV show are you combining with Cobra Kai for an hour-long Saturday night special?: WAH so not a current show but I always have these daydreams about TKK-era Daniel being a boy slayer in the BTVS universe, and Johnny being his hot but kinda useless jock boyfriend. Maybe there could be a special of CK where Daniel is this older slayer and his students are potential slayers he’s training?? And then it all turns out to be a fever dream or something. I don’t KNOW. Just give me Daniel as a slayer please!!

As a bonus, see this pic @captain-idgie drew of me as a Miyagi-do student! (Mack insists I'd be too soft for Cobra Kai, sigh.) This really shows how obsessed I am with CK 💙

#i wrote so so much sorry dksks #i didn't tag anyone but please do this if you haven't!#cobra kai

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80s-jester · 3 years ago

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[Image ID: A cassette tape labeled “Intro - 80′s Jester [Take 3]”.]

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[Some of it will be under the cut because it ended up being longer than I expected]

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My preferred pronouns will be in my bio/status/thing [?? I never know what to call it djslkjds], but you can use any pronouns for me! Yes, yes, “preferred” pronouns are mandatory for anyone, trans or cis, but I am transmasculine genderfluid--most of the time, my preferred pronouns are just the ones I want to hear and be referred to. Also side note: any neopronouns count in the ‘any pronouns’ label--I’d love to hear random neos! You can find my pronoun/label page here ! [Yes, I have a lot of labels aha]

I am a minor [16 years old], and will not interact with NSFW content. I am fine with being followed by adults and will interact with SFW content produced by y’all, but please do not privately message me if you are above the age of 18! However, if you are younger than 18, I am calling you mentally to interact >:]

I am also gay orientated acearo, if you wanted to know that. I can explain that later if anyone asks!

--Blog Things [the short version]

I don’t really have any specific genres other than comedy [and sometimes horror/tragedy; I don’t have many plans yet], so take these other things/tropes I like!

--found family over anything else, always --queer cast!! --aromantic experiences, both in QPRs and being single --Unreliable narrators, 4th wall breaking characters, and omniscient narrators for solely comedic reasons have my entire heart --Screwing with POV; I love finding new ways to tell stories!! --I want to find every single story trope I find cool and use them all <3 --I sometimes write really poetic prose, I sometimes write really stupid things; duality of man

--About, Pt. II

I have always been drawn to the creative nature of things, but writing is my first and strongest passion. Novels, poetry, short stories, podcasts, fanfiction, tv shows, movies--I have tackled them all! I have been writing for as long as I can remember, but only taught myself screenwriting about half a year ago. I still have much to learn about, well, everything to do with writing, but lurking around the writeblr community has taught me enough to jump back in.

I also have been interested in the cinema world for as long as I can remember, but only started to research it about six months ago. I want to study to become a foley artist, film director, or a cameraperson--anything film-related, actually. I’m also very interested in photography, so I’ll share some photos here as well!

I also do have a lot of fandom interests, too! A lot of it has to do with the MCU since I’ve begun to hyperfixate on it, but there may be others I’ll write for/talk about!

This is also sort of my personal blog, despite being a side one--my main is @romeshifting, but it’s pretty much dead at this point and I’m not using it anytime soon. However, I will be following from there because I can’t switch this one to a main and don’t want to make a new account.

But if you want to get to know me more, my inbox is always open! My messages are open too [for those 18 or younger] >:]

--Blog Things

So, you may be wondering what happened, considering this is my third writeblr intro. You also may be wondering especially what has changed, considering how I’m now themed very differently.

I had a particular WIP [the WIP that must not be named] that I was very interested in. However, it brought constant stress and guilt over it being what I actually wanted to write. While I still love the idea, it wasn’t something I actually wanted to put out there, so it dragged me down and made me unmotivated. So I deleted any posts regarding it [as well as any posts that I just didn’t like], as you do.

I don’t currently have any WIPs I’m working on. However, I bring you a character living in my head that needs to pay rent--Pastel McCallian! [She/Her + Ey/Em pronouns]

What I am going to do with her remains a mystery, but look at her!! I will sum her up by saying she is the purest person ever. You could spill soup in eir lap and ey would apologize! /ref

--Blog Things, Pt. II

Writer habits [among other things]! --I write using Fade In or Google Docs [sometimes even in Discord if I’m feeling tired/unproductive] --I adore putting in details and foreshadowing; I just want to know that I put thought into things I write --I am a pantser, but will plan characters and the world first --I firmly believe in Comic Sans supremacy [look I can’t write in anything else anymore] --I also use this piece of writing advice--it has seriously improved my writing! I also use the egg theory [can’t find the exact post, but it has to do with writing around details instead of just outright stating them] and the advice that none of my characters can state the whole truth. --I also write fanfiction sometimes, but I doubt that’ll make its way to this blog--my A03 is pretty empty rn fdsjlkjds

--Final Things and Random Thoughts

I will be redoing my navigation/pinned post, as well as my ‘about the author’ page and wip page [once I get some WIPs kjfdslkjds], so watch out for that! I’ll also send out a few posts for tag game interactions and other things >:]

I use tone tags, as well! If you need to know what those are, here is a carrd about them ! I also don’t use parenthesis outside of writing--favoring to use brackets instead--so there’s that. I have a lot of energy and adore talking to people as well!

And I think that’s about it--I can’t wait to [re]-meet the writeblr community! I do hope this time it sticks because I really want to get myself out there again fdsjklkjfds

Anyways, writeblrs please interact so I can catch up on all of your amazing WIPs!!

[I’ll tag some of the amazing writeblrs who inspired me to restart this account: you all are so cool, please continue doing what you do!]

@writeblrfantasy @stardustspiral @writingamongther0ses @ashen-crest @chayscribbles @screnwriter [and so much more!!]

And a special thank you to @hannahs-kudos, for all their encouragement! Your taglists were one of the main reasons I jumped back into writing again--I never really interacted with your posts, but I read through each one. Thank you so much.

<3, Rome

#the jester speaks #<--- speaking tag #writeblr #writeblr intro #writing #writing community #writeblr community #teen writers #long post #sorry it's a bit incoherent #I promise I'll explain it better in seperate intro posts!#I also need to figure out my wips but #this is just an excuse for me to get back into this kjfdslkjfds #third times the charm right <3

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